A review of Lucy.
Lucy is a strange
science-fiction movie. Not so much because of its subject matter, more because
it flirts with so many science-fiction sub-genres. But more about that latter.
The film begins in Taiwan where Lucy, Scarlett Johansson, is exposed
to a new experimental drug and finds her brain capacity
greatly expanded. This increases her ability to acquire knowledge and opens up abilities like telekinesis. To find out what is
happening to her brain she contacts a brain researcher played
by Morgan Freeman.
Lucy does not seem
to know what sort of science-fiction film it wants to be. It starts out as a
thriller with Lucy’s boyfriend trapping her in a very dangerous situation. For
most of its running time the movie is very much an action/adventure movie, as
Lucy attempts to extract herself from the mess she is in. In amongst the
action, the film superficially explores the potential of an expanded human
brain. Near the end the movie attempts some revelations about the meaning of
life.
The film was written and directed by mega-film maker Luc
Besson, who also wrote and directed the excellent The Fifth Element. Some
of his direction seems a bit bizarre, like his use of scenes of animals that
are about to be trapped or attacked, or are copulating at the beginning of the
movie. These scenes jar the viewer out of the movie. They seem designed to emphasise
that humans who use only ten percent of their brains are motivated by primitive
animal instincts. The movie than asks the question, what would motivate a human
if they used more than ten per cent of their brain?
Scarlet Johansson is believable and involving as her
character’s terror transforms into the emotional indifference of a seeker of
knowledge. Morgan Freeman is Morgan Freeman. The special effects are realistic.
The ending of the film is reminiscent of Altered
States and 2001: A Space Odyssey, as Lucy goes on a visual trip while her
brain ponders the universe. There is a very obvious tribute to 2001 involving a USB flash drive. It is
a pity Lucy doesn’t attempt to answer
the big questions like 2001 did.
Lucy is enjoyable
to watch, but will disappoint those hoping to be challenged by ideas. Once a viewer
exits the cinema, their animal instincts will quickly replace any examination
of the film’s superficial meanings.
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